White Christmas is Love Letter to the World War II Generation
Most people have Christmas or New Year’s traditions. Maybe
it’s a shopping trip on black Friday with the whole family, or a night spent
playing video games on Christmas Eve. Traditions come and go as new people are
added into the mix. Having Christmas in a different city than your own makes
people adopt new traditions. Mine is simple. I watch White Christmas every
year because it’s the movie I most associate with my childhood. I didn’t like
musicals as a kid. I still don’t, but there are always exceptions. As an adult
you appreciate things you didn’t as a kid. Dance and music are expressive forms
or art. This doesn’t make sense to kids, especially boys. Unless you grew up in
a house where music and dance were encouraged, you probably didn’t get it
I remember fast forwarding through the dance numbers on our overused VCR. As a kid, I thought music got in the way of the story. But with or without the music, it's a movie with a message that a lot of people probably miss.
America the Young
White Christmas is a story rich with gratitude for a
generation that fought and died in World War II. Optimism is everywhere. A song
and dance team (Wallace and Davis) that met during the war, meet a sister act
team (The Haynes Sisters) and head to the mountains in Vermont for some fun.
While in Vermont the two men bump into their old general and decide to help him
with his struggling bed & breakfast. They transfer the whole show to Vermont
for the holidays, hoping to bring some business to the hotel.
I’ve tried to analyze why I like this movie so much. Despite
being dated, it’s the optimism of a growing, prospering country that’s so attractive.
There is talk of love and marriage and babies throughout. It captures the post
war attitude Americans felt toward their future. Because it starts with a scene
from Christmas in 1944 at the front, we get to see the contrast between the
bleakness of war and the beauty of life away from it. After the bombings and
death and misery comes prosperity and life to the full. Broadway shows are a
symbol of a prosperous, confident nation.
Kaye the Wonderful
Danny Kaye as Phil Davis is brilliant. Both with his
physical mannerism and facial expressions, he steals every scene. One in
particular shows him pretending to twist his knee as a ruse to keep the general
preoccupied. I read somewhere that Kaye was an accomplished pantomime before performing
in musical comedies. It makes perfect sense. Good actors can find the camera
even in scenes where their part is secondary. He is surrounded by professional dancers
on the “choreography” number, but we look for him. We notice him in every frame
because he’s very expressive.
His counterpart is appropriately subdued.
Bing Crosby (Bob Wallace) is in this movie to be the
legitimate crooner. The pairing with Danny Kaye is similar to Jerry Lewis and
Dean Martin. Crosby isn’t a great actor but pulls off a solid performance as the
career focused leading man. Their counterparts are a sister act (The Haynes
Sisters) whose brother served in the same unit as Wallace and Davis during the
war. Actress Vera Ellen (Judy Haynes) is the carefree younger sister with
dreams of stardom. Rosemary Clooney (Betty Haynes) is the cynical older sibling. Vera was hired for her dancing, she’s clearly a professional. Her IMDB said she
was the youngest member of the Rockettes at the time. Everything in the film
revolves around these four characters and their connection to each other.
Broadway the Prosperous
White Christmas is an ode to the generation who saved it from
totalitarianism. America became a superpower after World War II. Europe recovered
eventually, but only after a lot of expensive rebuilding. Japan too, dug itself
out and rebuilt its cities after a bombing campaign from the allies that left
it a wasteland, a radioactive one at that. American society was poised for a
bright future. Its cities weren’t destroyed, Pearl Harbor the only damaged base.
But everyone lost a lot of people. Estimates say around 75 million people around the world died. The Soviet Union suffered the most. Between the war itself,
starvation and disease they lost close to 30 million. It’s not a surprise that
most countries saw a massive boom in growth, both in babies and businesses.
Perhaps because of the heavy losses, military units felt like families.
There is a symbolic phrase that pops up twice between
Wallace and Davis and neatly captures the underlying message, “Let’s say we’re
doing for a pal in the Army”. Always said after a reluctant decision, like going
to see the Haynes Sisters perform out of obligation. It’s a tacit acknowledgement
of the value of wartime friendships. It's as concrete as the wall that nearly
crushes Phil Davis during the shelling of their camp by the Germans in the
first act.
America the Optimistic
You could say this movie is a thank you letter to the men and
women who sacrificed during the war. The post war boom is why. No one
represents the endless optimism of America in the fifties like a song and dance
troupe. Phil Davis saves Bob Wallace from falling debris and injures his arm in
the process. Davis uses the injury to guilt Wallace into turning his one-man act
into a two-man Broadway juggernaut. It’s a running gag throughout. Whenever
Davis wants something he points to his arm as if to say “You owe Me”. It’s
played for laughs but contains the core message of the movie to the generation
that fought the war--we owe you.
My favorite scene is at the beginning when both Bob Wallace and Phil Davis are in their dressing room changing after a performance. It’s a scene that feels as rehearsed as one of the many dance numbers. Davis tries unsuccessfully to set Wallace up with a ditzy girl from production. Wallace was unimpressed.
Davis: "Alright they didn't go to college, they didn't go to Smith".
Wallace: "Go to Smith, she couldn't even spell it"
Their banter and physical timing is perfect. Both men change into different
clothes while discarding their shirts and jackets. They toss clothes hangers
and shoes to each other, without losing the dialogue’s sharpness. It’s both
performance art and witty banter, and it comes off clean like a play.
Conclusion
I think they overdid it just a little at the end. The surprise dinner for the general was a nice touch. But then, the foursome dressed like Santa, brought out the dancing kids and opened the barn door while the snow fell. It’s almost like they saved up all the cheese for the last 2 minutes. In this way it's very much like Hallmark's low budget features of today. It’s also when Bing Crosby sings White Christmas for the second time. Despite the canned finish, it’s a wonderful movie with a powerful message. Post-war America owes its boom to the World War II generation. I'll keep the tradition alive until I just can't do it anymore.