Thomas Perry's The Old Man: Why We Love Spy Thrillers
I just finished reading Thomas Perry’s “The Old Man”. The
only comparison I have for this book is the TV show on Hulu. It’s why I decided
to read this book in the first place. I’m glad I did. Now I’m familiar with this
author who I didn’t know anything about before. The Old Man doesn’t exactly go
by one name. This holds true in the show as well. It’s kind of his M.O. to use
fake identities until he gets burned, then start on another. First he is Dan Chase,
then Peter Caldwell, followed by Hank Dixon and eventually takes on the identity
of a Canadian citizen named Alan Spencer.
All identities have backstories and passports. This is a guy
who knows how to evade notice. It’s the character that draws us into the story.
He is 60 years old and owns 2 large dogs. Perry never gets around to describing
their breed, except to say some think they’re a cross between a Labrador and a
poodle. He calls them “80 pound beasts” at one point. We’re to assume they’re
well trained to listen for danger and protect their master. Dan Chase is an accomplished
man who pays attention to detail. He’s trained his dogs well. Described in the
first chapter of the book, thieves break into the home of Mr. Chase. The dogs
pounce and subdue the intruder while Dan kills him. From here the story really
begins.
We find out that Mr. Chase is a man on the run because of an
incident in Libya almost 30 years ago. I wont spoil it, but it’s the thread
that the whole story hangs on. In the long tradition of bad ass covert case
officers, this one is mostly different because of the age of the spy. He’s 60 and
in shape. The TV show makes you think the plot is convoluted. It’s not. It’s quite
simple and follows a linear timeline. About the only flashback is at the beginning
to set up the plot. Otherwise, we follow the Old Man through Chicago,
California, Toronto and then Libya.
His love interest is a 40-year-old divorced mother from
Chicago who follows him into the identity swapping, covert world of running from
the US government. He rented a room from her using the name Peter Caldwell and she
fell for him. She has a little backstory of her own that makes hiding from the
law a comfortable fit.
I checked on the author’s website to see if he had a series
devoted to the character. Sadly it’s a one off. I wonder if he will write
another one with the success of the TV show. I’ll try not to go into detail
about the show because it’s not even remotely the same. Another character that
carried over from the book to the show was this military contractor named “Julian”.
He’s a black farmer from Jonesborough, Arkansas who gets the assignment to go
after the Old Man. He’s irritated with the scope of the investigation and
becomes disillusioned with the whole process. He’s a likeable symbol of a man
fighting an internal battle on the morality of what he does. If this Old Man character
doesn’t get another book, I’d start a new series with Julian.
Julian is in the TV show but doesn’t have the same story. I bought
the book to understand the show better. Don’t do that. It won’t help. The TV
show has a lot of layers that have only been hinted at. I thought a fuller
reading of the book would answer my questions, but no. Especially since Thomas Perry
only wrote one book, these are two different stories. The writers of the show cut and pasted the main character and two others, gave them different histories
and located them in different parts of the country. This isn’t a problem. Books
often get made into movies with little or no connection to the original novel.
Characters drive stories and when you’ve got a likable character, you tell more stories. Spy novels with international intrigue never get old. We keep reading them, authors keep writing them. From Mitch Rapp to Jason Bourne, it's the danger and violence we love.
I like that Dan Chase (The Old Man) is over 55. Is that because
I’m getting older myself and associate with the type? Never you mind that!
I’ve thought about what it is that makes the character so
compelling. To me it’s the unassuming nature of a guy with gray hair and a pleasant
demeanor. No one expects him to defend those in his orbit with such raw, cold
violence. In one instance, the Old Man and his girlfriend hitch a ride with 2
young men who only stopped because they saw the woman. It’s clear almost
immediately that the men have bad intentions toward her and don’t think the Old
Man can do anything about it. He tries to diffuse the situation by telling them
he’s uncomfortable and their threats are inappropriate. He beats them up
quickly, and roughly, when they keep commenting on his age and lack of sexual
prowess. You can feel the false bravado of the young men right until Chase smacks
the driver with a pistol.
He’s a man who’d rather walk away and change identity than
get into a scrape. But when he’s confronted with it, he leaps into action. His
age suggests he’s more patient with people and gives them a break when other,
younger agents, might not. It’s an important part of the story which I’ll only
hint at. The Old Man needs someone in the US government to believe he is the
good guy.
It's a story about putting the past right and trying to
overcome mistakes. It’s a universally appealing sentiment. Who doesn’t want to
fix something from the past that’s created an untenable situation in the
present? If not an untenable situation, a lot of us would want to make a different
decision or take another path. We never get to. But with a lot of money and two 80 pound beasts, you just might.